“My work is born from a hypersensitivity to the beauty of the femme. It responds to a need to calm an obsession, like a civilized Jean-Baptiste Grenouille in the novel Perfume, where my ability to express emotions is directly proportional to my ability to translate them into the skin of the women I draw. Delicacy, strength, sensuality and fragility as values, a woman and a canvas, is my way of understanding the world both sensorially and intellectually. Inspiration along with my tools of work, have created a world of contemporary women, who dwell between roughness and purity, through the spaces within the lines of drawing. Woman - her face, her beauty - is treated superficially throughout the history of humanity, her figure exalted and admired like a porcelain vase.

My creative process begins with simple, easy lines of pencil or pen, or clay modeling, that continuously take shape until they become a female figure. My inspiration and work tools have created a world of urban and contemporary women, living between the roughness of their tattoos and the finesse of their elegant outlines. These lines draw women in black and white, and evolve into colors that cover their skin, conveying sensations that range from seduction to obsession - tattoos that stand out with color amidst white, delicate bodies invoking emptiness.”